Revue Diapo #3 nieves Japan's Cinema Rise No

Japan's Cinema Rise No

sur le plateau comme en dehors

3 Le canon de l'histoire du design graphique sera réduit

risks dissolving into a haze of proliferating crises – then the moment calls for a fundamental rethinking of form itself

Revue Diapo #3 nieves Japan's Cinema Rise NoThe third issue focuses on a intriguing portraits by Kanade Hamamoto, Yokohama based photographer. For several years, she has been working on portraits of women, alone or in couples, whose photographic and lighting treatment makes their faces vaporous, barely or not readable. The identity of these women is therefore intended to be complex, emanating directly from their attitude, their clothing or their position; without going through the traditional