KŌRIN FURUYA, Kōrin-style Patterns n. 40, 1897 sculture ma anche quelle vicine che

ma anche quelle vicine che non vediamo e restano invisibili ai nostri occhi

In 1918 he began collaborating with the famous publisher Shōzaburō Watanabe

edito da Bergstrom

The plate is part of the series Fifty-three Stations of the Tōkaidō Vertical (Gojūsan-tsugi meisho zue)

KŌRIN FURUYA, Kōrin-style Patterns n. 40, 1897 sculture ma anche quelle vicine cheStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London: