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and the grace of God was on him
and designer active in the artistic circle of Kyoto during the Meiji period
Plate out of text for Joan Miró Lithographe I
vertical ôban #62
KŌRIN FURUYA, Kōrin-style Patterns n. 34, 1897 sculture and the grace of GodStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London:
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