L’homme qui a perdu son squelette. Proche et Moyen Orient where clan and lineage predominate

where clan and lineage predominate over any other organizational firm

elles nous entraînent à nous interroger sur le statut de l'oeuvre

as well as to historians of this Egyptian monasticism of which Chenouté was one of the most passionate representatives

This booklet contains the presentation of the material as well as an historical overview

L’homme qui a perdu son squelette. Proche et Moyen Orient where clan and lineage predominateDirected by Sophie Taeuber Arp (and published with the support of the American collector Albert Eugene Gallatin), the magazine Plastique published texts, articles and drawings. In 1939, issues 4 and 5, the last, welcomed a sort of exquisite corpse: The Man Who Lost His Skeleton, collectively signed by Hans Arp, Marcel Duchamp, Paul Eluard, Max Ernst, Georges Hugnet, Henri Pastoureau and Gisle Prassinos. By multiplying the hands, each of which was