HIROSHIGE UTAGAWA I, Seido e il fiume Kanda dal ponte Shohei, 1857 sculture so as not to be

so as not to be distinguishable from his own disciples: he is simply a human being

he directed the Galleria Tempo in Bologna before dedicating himself entirely to painting

rythmes – couleurs en mouvement

with a small margin all around

HIROSHIGE UTAGAWA I, Seido e il fiume Kanda dal ponte Shohei, 1857 sculture so as not to beMagnificent proof with excellent colors. Printed on paper from Japan, dating to the second half of the 1800s. In perfect condition. Superb bokashi shading. With excellent margins all around beyond the marginal line. Bibliography Sakai, Hiroshige Edo fkei (1996), list #12. 47, pls. 156, 157 Smith & Poster, 100 Views (1986), #4; Ukiyo e shka 14 (1981), Hiroshige list, p. 250, vertical ban #62. 47 https: www. brooklynmuseum. org opencollection objects