Bonnard et le Japon. Proche et Moyen Orient puisqu’il ne maîtrisait pas parfaitement

puisqu’il ne maîtrisait pas parfaitement le latin

This mosaic defines a flâneur particularly attracted to the banks of the Seine and the Paris of the margins

Conformément à ce que le chercheur avait prévu

Cuba is undoubtedly one of the three great cultural centers of Spanish-speaking America

Bonnard et le Japon. Proche et Moyen Orient puisqu’il ne maîtrisait pas parfaitementPierre Bonnard (1867 1947) considered Japanese prints as an essential model for his commitment to modernity. These images, from a distant land, taught him new aesthetic principles that transformed his artistic practice. The French painter shared with the great masters of Japanese prints a sensitivity to human beings, nature, and animals, as well as a shared interest in the representation of everyday life combined with a certain fantasy. Through a