Signes extérieurs. Protohistoire Claude likes to talk about

Claude likes to talk about two encounters that were obviously decisive for the young sculptor he was in post-war Paris

of Poitevin descent

they blaze a trail in what is conveniently called the School of Paris

Kurt Sigrist

Signes extérieurs. Protohistoire Claude likes to talk aboutWhen the final stop was imminent, it would probably be necessary to raise one's voice, tear oneself away from the bench, jump onto the platform in the darkness, slide down the almost vertical slope, clinging to the branches of the thicket, to the overhanging rock, to the water and immediately throw oneself in. And this, against all expectations, is what did not happen. Childhood and time are the two poles of the literary territory explored by Pierre